... Charles Gildon's The Patriot , or the Italian Conspiracy ( 1703 ) , although no Lucretia character appears in Gildon's version , which not only transposes the action to palace intrigue among the Medici but also focuses narrowly on the ...
... Charles GILDON . ] The patriot refolved ... 4 ° n . p . 1707 . A letter from the patriots of Great - Britain to the Emperor . 8 ° Lond . 1730 . The British patriot , or a timely caveat against giving into the measures of any evil and ...
Newberry Library. [ GILDON , CHARLES ] The patriot ; or , The Italian conspiracy . A tragedy . London , 1703 . Case Y 135.G 391 [ GILMORE , JAMES ROBERTS ] The rear - guard of the revolution , by Edmund Kirke [ pseud . ] ... New York ...
Newberry Library. [ GILDON , CHARLES ] The patriot ; or , The Italian conspiracy . A tragedy . London , 1703 . Case Y 135.G 391 [ GILMORE , JAMES ROBERTS ] The rear - guard of the revolution , by Edmund Kirke ( pseud . ) . New York ...
Newberry Library. [ GILDON , CHARLES ] The patriot ; or , The Italian conspiracy . A tragedy . London , 1703 . Case Y 135.G 391 [ GILMORE , JAMES ROBERTS ] The rear - guard of the revolution , by Edmund Kirke [ pseud . ] ... New York ...
[ GILDON , CHARLES ) The patriot ; or , The Italian conspiracy . A tragedy . London , 1703 . Case Y 135.G 391 GILMORE , JAMES ROBERTS ] The rear - guard of the revolution , by Edmund Kirke ( pseud . ) ... New York , 1886 . F 8325.045 Y ...
... Charles Gildon , The Postman Robbed of His Mail ( 1719 ) ' Lutes and voices ' , Early Music , 36 ( 2008 ) , 140–2 Walter Graham , " The “ Cardenio - Double Falsehood " problem ' , Modern Philology , vol . 14 , no . 5 ( September 1916 ) ...
... Charles Gildon. C pos'd by the Patriots of Sence and Reafon . Right ( affum'd Temple , ) fince ' twou'd have us admire that for Beauty in one , which is generally and juftly esteem'd a piece of un- pardonable Pedantry andStiffness in ...
... Charles Gildon turned Lee's play into the more acceptable The Patriot , or the Italian Conspiracy , A Tragedy ( London ) , and was obliged both to remove its attacks on monarchy and to change its scene from Rome to Florence in the time ...